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What's amazing about our not being taught newness in writing is that novelty, recency is all around us-on the online world, in bookstores, in clothes stores, in automobile dealers, in politics, and especially in movies. Either movies provide us with a new thrill, a new heartwarming or heartrending story about some likable or hate-able character, a new view on the universe (science fiction), some new and interesting insight into population or history, or some narrative combination of these patterns of newness or we stay away in droves, don't we all? What's fascinating to me is actually I see as the reason you are not taught about generating newness in writing. Seems to me personally that newness is such a huge concept that no one comes with ever gotten a good take care of on it, a good way to talk about this without having to refer to a trillion different new things. And nothing of us can really relate perfectly to a zillion different things. In a nutshell, what has been lacking is a very short list of the categories of novelty, recency that we can all handle. I could spend a lot of time upon all that, but since occur reading this, then you're almost certainly smart enough to bring into your head examples of advertising that use these new view options.

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